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Positions of the
feet
Positions of the
arms
Grouping of the
fingers
Positions of the
head |
Bow, hop,
spring, shedding, round-the-leg, back stepping, toe-and-heel,
heel-and-toe, shake (for Fling and Seann Triubhas), rock, pas de basque,
open pas de basque, spring point, assemble, disassemble, high cut, change,
leap, brush, shuffle, balance, travelling balance, pivot turn, step, hop
brush beat beat, shake shake down, progressive strathspey, progressive
reel, high cut in front, propelled pivot turn |
Highland
Fling
Introduction,
1st, 2nd, 3rd, 4th, 6th, 7th, 8th, Finish
Sword Dance
Introduction,
1st, 2nd, 3rd, 4th, 7th, 8th, Finish
Seann
Triubhas
Introduction,
1st, 2nd, 3rd, 4th, 5th, 6th alt, 8th, 10th, 11th, 12th, 13th, Finish
Strathspey
Introduction,
Figure of Eight, how the following Fling steps are adapted: 2nd, 3rd, 4th,
6th
Highland Reel
Figure of Eight
and finish
Basic Reel
Steps
2nd, 3rd, 5th,
6th |
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As for Associate |
As for Associate |
As for
Associate, plus the following (including a good knowledge of all
alternative methods):
Highland
Fling
5th, 7th alt
Sword Dance
5th, 6th
Seann
Triubhas
6th, 7th, 9th,
14th, 15th
Strathspey
Candidates
should know which Highland Fling steps are used for setting and should be
able to demonstrate and explain how they are adapted to this purpose.
Basic Reel
Steps
4th, 7th, 8th,
10th
Reel of
Tulloch
Candidates
should be able to describe the figuration of this dance and how it is
commenced (a) when preceded by the Strathspey and (b) when performed as a
separate dance. They should also know first and last setting steps
and the Finish
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